Although Eros appears in ClassicalGreek art as a slender winged youth, during the Hellenistic period, he was increasingly portrayed as a chubby boy. During this time, his iconography acquired the bow and arrow that represent his source of power: a person, or even a deity, who is shot by Cupid's arrow is filled with uncontrollable desire. In myths, Cupid is a minor character who serves mostly to set the plot in motion. He is a main character only in the tale of Cupid and Psyche, when wounded by his own weapons he experiences the ordeal of love. Although other extended stories are not told about him, his tradition is rich in poetic themes and visual scenarios, such as "Love conquers all" and the retaliatory punishment or torture of Cupid.
Cupid? is the first album by Canadian rock band Stabilo with a major record label and their first with their new modified name (originally "Stabilo Boss"). It contains seven songs, including the hit "Everybody". The songs "Stone", "Any Other Girl" and "Enemy" were new songs recorded specifically for the album. "Paperboy", "Everybody", "One More Pill" and "?" were re-recordings of older material.
The Cupid was a sculpture created by Renaissance artist
Michelangelo in 1496, which he artificially aged to make it look like an antique from the advice of Lorenzo di Pierfrancesco. It was this sculpture which first brought him to the attention of patrons in Rome. The work is now lost.
In 1496, Michelangelo made a sleeping cupid figure and treated it with acidic earth to make it seem ancient. He then sold it to a dealer, Baldassare del Milanese, who in turn sold it to Cardinal Riario of San Giorgio who later learned of the fraud and demanded his money back. However, Michelangelo was permitted to keep his share of the money. When Michelangelo offered to take the sculpture back from Baldassarre, the latter refused, saying he would rather destroy it.
The Cupid was a significant work in establishing the reputation of the young Michelangelo, who was about 20 years old at the time. The sculpture was later donated by Cesare Borgia to Isabella d'Este, and was probably collected by Charles I of England when all the Gonzaga collections were bought and taken to London in the seventeenth century.